" An archivist of a future African past in the present time, I wish not only to preserve but to rewrite the collective memory of blackness across the spectrum of her muddied hues in a language so vivid and worthy of our rebellion. To become, we re-imagine what is and what is not. The edge we once knew to be fear became a springboard for us to leap into the unknown, only so our dreams could learn to fly. Therefore the Afrofuturist dreams in Surrealism "
- Tsoku Maela
Born March 29th in Lebowakgomo, South Africa and working, predominantly, on the mediums of photography, film, and text – Maela uses his visual mediums not only to document the present but also a way to look into the future by revisualizing African narratives, culture, and aesthetics often as part of surreal and abstract visual worlds.
His work has been featured on CNN: African Voices, Hyperallergic, VICE, GUP magazine, and showcased in South Africa, Lagos, Zurich and Miami Art Basel at PULSE contemporary Art fair (his work forming part of the top 10 picks by Pérez Art Museum). He is also part of Contemporary Art curator magazines debut book publication "100 Artists of the Future" (2019).
Academically, his work has also been used in student exhibitions in the United Kingdom to raise awareness around mental health and in the Hutchins Center for African and African American Research at Harvard University, archived as part of their Transition publication. Private collections of his work include M&C SAATCHI contemporary art collection and JP Morgan Abadali art collection, amongst others.